![]() One of Studio Ghibli’s earliest producers, Hirokatsu Kihara, stressed the use of color and of color matching in creating and conveying meaning. Miyazaki’s illustration of night and day also highlights this. This nifty bit of animation by Miyazaki not only shows off his illustrative prowess, but also illuminates how thin the line can be between the human and spiritual world. This transition from human to spirit and vice versa is properly conveyed by animative processes: Chihiro’s body turns semi-transparent before she becomes solid again. For starters, Chihiro’s journey is one of a spiritual nature: she quite literally starts turning into a spirit, before Haku gives her an antidote. A lot of the themes and emotions are demonstrated through Miyazaki’s use of color as well as his manipulation of sound. Themes of spirituality, humanity, environmental consciousness, and capitalistic greed permeate the film, among others. This coming-of-age story has been acclaimed for its depth and mystical qualities, but also for Miyazaki’s masterful handling of various themes, emotions, and social issues. Chihiro thus grows through her triumphs and setbacks and emerges with a mature, intelligent demeanor when she finally leaves the mystical land with her (human) parents. She persists and earns a job from Yubaaba, the bathhouse witch, then earns the respect and trust of many bathhouse guests by cleaning the river spirit and by taming the No-Face spirit. Despite these unexpected changes, Chihiro handles the challenges with aplomb. However, she encounters a series of shocks: her parents are turned into pigs she cannot leave because the river has flooded she starts turning into a spirit herself before Haku helps her, and so forth. Chihiro first appears to be a normal, if a bit sullen and introspective, child. Hayao Miyazaki’s masterpiece Spirited Away (2001) tells the story of a ten-year old girl, Chihiro, and her trials through the world of spirits.
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